Ruth
expected dropping Lennon off to be a task,
crying and clinging in all kinds of creative ways, screaming at the top of
several peoples’ lungs. Instead he hopped out of the car as if he didn’t have
tear streaks the width of highways across his cheeks. Mama, he said, and grabbed his lunchbox. Let’s go.
She
looked after him as if she had been given an entirely new child. What Ruth
perhaps forgot was that toddlers are famously like the Midwestern weather. If you
don’t like it, wait five minutes.
He
charged down the rock-strewn path, his little feet pounding with certainty. When
he reached the front gate, he looked at her: Okay, Mom. You’re needed here. He was an entirely other child from
the one in the car, the one with a screwed-up red face, the cries that could
rock a country. How could they do this, the personality do-si-do, and how was
one expected to put up with it?
At the
tingle of the gate, Carol Vulture appeared. She was anywhere between 50 and 70
years old, and if anyone was going to ask for more specifics it wasn’t going to
be Ruth. Carol was the kind of woman who held her ground and brooked no
argument. Her nose was angular, her hips wide, and she’d been at the helm of
this place a long damn time.
Did you brush his hair?
Good morning, Carol.
He has beautiful long hair and it’s kind
of a mess, Ruth. I say this because the kid can barely see through his bangs.
You know?
Ruth
did know. She’d wanted to cut Lennon’s hair for months now, but Gary got that face when she suggested it. She wanted
to tell him that their kid wasn’t Samson, that he would survive a little trim,
but to do that felt tantamount to breaking her husband’s heart.
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