This floated through my brain: I'm so glad it's over. Well, now.
Yesterday Adam said: "You tried to take my kid, tried to take my wife, what next, you want my fucking dogs?"
"Don't worry, babe," I said. "No one wants the dogs."
Stand back and watch it spew.
This floated through my brain: I'm so glad it's over. Well, now.
Yesterday Adam said: "You tried to take my kid, tried to take my wife, what next, you want my fucking dogs?"
"Don't worry, babe," I said. "No one wants the dogs."
Watching 9 1/2 Weeks for work (I'm serious), I felt like crap last night. 9 1/2 Weeks is such a mindfuck tale that it is unbelievable, and it hits far too close to home. The debate was insane. Together they kept me awake until I took a sleeping pill at 1:30 to try to sleep and be sane. It worked, but only sort of.
It's a new leaf: I'm not the therapist. I used to listen to people bitch about the same thing over and over, giving them tons of insight and advice ... and for what? People are going to do what they're going to do. They don't listen to you. And even if they do, so what? Shoring up the boundaries around that leaves room for me and those closest to me. That's huge.
I re-read this paragraph and it sounds -- cold? Callous? Maybe, unless you know that I've spent most of my life acting as the therapist to people left and right. It's a codependency thing: if you need me, you can't leave me. Uh, life doesn't work that way.
Yom Kippur. They’re doing the Amidah, swaying silently in their little Zoom boxes. You glance at him, close to asleep in his chair with only one arm. He let you have the single good chair in the room. You try to find gratitude. He is fully out now. You want to hit him, knock him out of the bad chair.
It’s been a morning. Sugar spilled atop a kitchen cabinet. Grousing at the beginning of services. His job: pointing out the missteps. Yours: getting sullen, defensive. Who gives a fuck about sugar? So you bitch a little. They want to do breakout rooms to talk about their relationship to God, like that has anything to do with the High Holidays?
“Don’t criticize me,” you say to his slumbering form, “motherfucker.”
Marriage. Operating outside oneself, working together, a team. You couldn’t even handle group projects in high school. You marry, convinced things won’t change. Dream day in a bee-buzzed courtyard, photographer leaping for the shot, cheesecake taquitos and you were going to be the survivors. Your first real fights drama about nothing: masturbation, macaroni and cheese. Your lovemaking a loving and jagged thing, spiked with surprise, studded by spontaneity. Pictures of your hands intertwined, interlocked. Joined at the hip your friends say, not without its rancor.
He doesn’t so much fall from the pedestal as tumble softly a half step at a time.
They aren't many. Spread throughout the years. Disparate and similar in the same breath. You told them too much but not what mattered, never what mattered.
You look over at him – the guy – and you realize that you’re no more drawn to his body than you are his self-perceived brawn. It’s the wounds bleeding into wounds, all those nutrients and oxygen, all that plasma. The hooks you throw into one another, the lines that come up wriggling. Each new discovery a vanguard, an edge, a ridge from which you tumble together, wayward limbs tangling, raising bruises.
It’s that upper half of your chest, the edge near the throat. That’s what catches. That’s what chokes.
He angles onto a ramp: Golden Gate Bridge.
Two minutes later your phone rings.
A row of hotel-motels, pizza places billing themselves as the city’s best, boarded-up storefronts, fly-by-nights really, the way San Francisco does it to itself, eats itself alive. Social Distortion on the radio. You prefer just about anything to punk. The wind through the window ruffling your hair, lifting it off your shoulders for just an instant. The way your son eats an apple, tiny teeth making a jagged circle around it, a mini-path. The way we learn to do the things we do, the strange staggering steps we take into the world of becoming.
A former therapist once told me about this -- the idea of detaching with love, of letting go with kindness and without rancor. I think I'm getting what she's saying.
When the kids were little, dinner was hot dogs or spaghetti, the kids with their glasses of milk, Linda drinking white wine with ice cubes, John with his wine, too, tuning in and out. The kids fought. Chloe kicked Sam. Sasha thought Sam was breathing on her -- Mom, tell Sam to stop breathing on me. Tell. Sam. To. Stop. Breathing. On. Me. How easily a veil dropped between him and this group of people who were his family. They fuzzed out, pleasantly, became vague enough that he could love them.
Your chest just a little more giving. The breath a little easier. These years, these hard years. Finally a tunnel and some light.
Meanwhile the cat’s
cradle that is your home continues to ensnare you in its own web. Two dogs, one
kid. A husband who recoils from your anger, your fury. Why, he wants to know.
Why, when you have so much? Why, when there’s so much love to fill these two
bedrooms, the kitchen, the living room, spilling out into the large front yard
with its dead and dying grass? You go out there with a cigarette, hating
yourself for taking in the poison. Breathe in, let out. Death meditation.
You train yourself to let go. You listen to dharma talks on the subject. The ways in which we suffer because we hold on, we cling, we resist. You start by loosening the grip on the cigarette. It falls, tumbles to the wood base of the fence. Smolders. Set it afire. Let it go. Run away. You stamp it out instead.
On Facebook:
I've put on pandemic poundage. I look like a linebacker. Time to knock off the Trader Joe's cookies and start eating smart.
What is this character's story of themselves versus what they're actually going through? - Emma Cline on how she frames characters
You just want to reach out. You want to send that email or that text. You want to say what is up with you, dude? You remember how fun hanging out is, how you would close down bars and cafes, talk talk talk talk until you would either go home or break boundary after boundary.
You remember all these things, but you don't do it. You don't do it.
It was beautiful. Truly beautiful. I needed it, Baz needed it, Deborah needed it. It was so great to see her. We had a blast.
She knows the guy -- over email, but still. We talked about how he would take Baz as his own. "Adam would be within his rights to punch him," she said. "Full force."
We're going to Santa Cruz.
A month now into struggling with virtual schooling, we need a break. Bazzy's teachers are wonderful. I feel for everything they have to put into this. But the stars aligned today -- I have nothing on my plate, Adam has to be in the office for a while, and Baz's school schedule is relatively light. I'm going to get my baby a donut this morning, then tell him we're going on an adventure.
Then he'll get to get in the vehicle he calls Bazzy's Racecar, and we're hitting the road. Meeting Deborah down there, too.
We're going to Boise. And Portland. That's happening at the end of the month. In fact, a week from now we're going to be leaving. We're seeing no one in Boise so far as I know; we're just going because I've never been there, so why the hell not? And then we're seeing Loralee in Portland. We'll probably be gone a week or more. God, we both need this so badly. And I think Adam could use the time to himself, though he would probably say otherwise. The dogs, they'll be just fine too.
Let's hear it for the road.
One way or the other, the path of Buddhism is to bring something to an end -- and that something is our suffering, the ways in which we suffer because we hold on, we cling, we resist. That there's some kind of inner compulsive behavior, a driven behavior, holding and clinging, that might have a lot of authority, might be there sometimes for good reasons, but with practice we see it limits us, it diminishes us, it constricts us, and it doesn't really allow for the full flowering and thriving of our hearts, of our minds, of our life.
And so part of mindfulness practice is not just being present for things and seeing and being mindful and calmer and a little less reactive, but it's really as a platform, as a means by which to have the deepest fullest letting go that is possible for a human being. And the path there is to learn something about all the different shades, or forms of letting go, that a person can have. Now, letting go is an ordinary activity. There is a tremendous amount of letting go that people do throughout the day, and it probably doesn't take much reflection to realize how much you're letting go of. Maybe sometimes it's so automatic and so easy that you don't even think of as letting go. ...
Or you're expecting to go for a walk with a friend outdoors, and here in California you wake up and nowadays sometimes the air is clean and sometimes it's not because of the smoke ... and maybe the letting go is not that easy because the desire is so strong ... the anticipation of a wonderful time with your friend and the ongoing continuity of the limitation of life because of the smoke and COVID-19 and all kinds of things, you don't let go of the desire. ... All because that desire was being held kind of strongly and it wasn't simply letting go of morning breakfast ... if you want to be free of all the secondary reactivity, maybe requires a deeper kind of, a more difficult kind of release of desire, maybe put in the context of finding our freedom even with that.
North Beach rotates: 45 degrees, then 90, steeper. Reach for something to steady you, find nothing. Underside of your lip chapped, tongue a withered thing. Making love in Portland, a hot Memorial Day Weekend, hurrying before your host returns. Memory reddens your cheeks, anger a flush.
“What do you want?” you say, except not really.
"I’m sorry,” you say for real.
Him upstairs, waiting. Checking his phone, glancing over his shoulder at – what? Anything? He calls your husband The Warden. “That thing on your phone,” he says. “That – tracker.”
You have trackers on each other. Somehow that fact always escapes him.
“Four hours now,” your husband says. “Saturday night. I’m the babysitter. You’re on your date.”
You protest. You squirm. You push back, eyes on City Lights Bookstore across the way. How is this a date?
“Then come home,” he says, “and prove it’s not.”
Eight weeks. Eight weeks since you last heard his voice, fielded his texts. This is caramel time, gooey, stringy, malleable. Pandemic, fires, social unrest. The day the skies scream orange you take your son to the city because the air quality is good today and will not be tomorrow. You can just count on it.
Why did he choose this
time of devastation to duck out? He must already have known you feel bereft.
Did he pile atop that ashy misery just because he could?
Because he can’t
have what he wants?
*
You pick your way
down the steps, descending from the second level of the bar to the first. You
haven’t looked at your phone. There is no need.
This happens every
time.
You walk past the
wood bar and the stained glass, past the people enjoying their Saturday night. You
pause a moment by the door, light from outside falling upon your face. So cliché
a moment, but clichés happen in life too.
So
easy to blow off the call, walk back upstairs, hold out a hand. Shrug the years from the shoulders, spin time sufficiently
backward. A name dropped from the tongue, the memory. A history ground
underfoot, then washed into the sewer.
From Facebook:
I truly and honestly and fully believe that your relationship with (the guy) is toxic, a word I don't throw around lightly. This is why I've fought against it so hard for so many years.
You hear him
before you see him. His is the voice that rises above the din, greeting, reverberating.
Your mouth crooks into a twisted half-moon, a sliver of something. Your eyes
draw toward the heavens; your eyebrows tent.
He sounds like what
you imagine he is: a gladhandler, a corporate man. Jack of his own trade but master
of none. An indiscreet laugher, a mockery of true humor. Then you turn around.
He is also very,
very cute. Clean-cut, conservative, a close-cropped goatee matching his short
dark hair. A short-sleeve button-down shirt tucked over a slight belly. Black pants.
Dress shoes. Glasses.
He is talking to
the girl across from your cubicle. You refuse to call it a cube; you
simply cannot. You do not want to get so intimate, so informal, so familiar. His
laugh is familiar, chummy, uncanned. It contradicts what you already believe
you know of him. You don’t like that. You like writing people off – quick,
clean. Black and white are your favorite shades. Gray can go screw.
I'm planning for civil and and I'm planning for not-civil war. I'm readying myself for civil war in the face of the elections that are upon us, and I'm also readying myself for not-civil war. When I say that what I mean is not as some people have asked, well, how do you do both? And the fact is that I don't do both, that I'm only ever doing one thing, and that is meeting what is front of me.
I should shower soon.
I'll shower in five minutes.
I'll jump in the shower in a minute.
Okay, guys, I'll feed you.
Okay, you goddamned mutts, give me a minute.
Baz, chill.
Baz, chill.
Babe, I love you. I'm sorry.
You check AirNow. You wonder if the sun will fucking rise. You read the latest Trump atrocity. You smoke a cigarette cause why the fuck not. You think, being a parent is killer right now. You think, living is killer right now. You think, maybe I can make it through the day.
"Get in touch," Joseph said. "See what's going on."
"Fuck that. I'm done."
"Dude. You have no idea what's going on with him."
"That's the problem," I said. "That's the problem."
BAZ: Mommy, I want passenger trains.
ME: Daddy's watching football.
BAZ: Passenger trains.
ME: Writing under these conditions is tantamount to having needles shoved into your eyes. You know that?
BAZ: Passenger. Trains.
The answer is Vesuvio. Vesuvio, both problem and solution, fighter and arbiter. The shadows tick when you enter, the stained glass seeming to wink. The tightness below growing more urgent. You cut a look at his arms: tattooed, not as well cut as your husband’s. You look away. You wear the same dress as the night you went into labor: a black turtleneck brushing the lower knee.
The night you and
your husband drive into San Francisco to take advantage of a Mission District
made bereft by Burning Man. “No more hipsters,” he says, shifting, “for now.” Two
bars. For you, two Diet Cokes. You, already in pain but not willing to accede
to it. The plan is to go to Santa Cruz in the morning. When your water breaks
at 1:30 a.m., your first thought is Jesus Christ I don’t feel like getting
admitted today. Four contractions before you even get through the sliding
glass doors. Two more on the way to the third floor. Twelve hours later, a child.
Stand in front of
the bored bartender. Squint at the menu. Kerouac chilled here. He is a Kerouac
devotee. Red flag right there.
At first you don’t like him. This is in 2002. The terrorist attacks continue to dominate the television when you go to the gym in the middle of the night; the Middle East shudders; a sniper stalks D.C. You get off a plane wondering what the fuck you’re going to do with yourself, how you’re going to make it in this world.
Or that I'm wasted after two Death in the Afternoons. I'm at Vesuvio and wearing a cute little dress. That's all that matters.
When I come home, Baz goes nuts. MOMMY MOMMY MOMMY you're HOME! You came BACK!
I fucking LOVE that kid.
I never cried.
I got up way too early, brewed coffee at stupid hours, went outside and smoked Adam's cigarettes, which had become my cigarettes because I was smoking them often enough to claim ownership. I consulted the wall and the wall ignored me.
When I called Kaiser last week, I knew the only way out was through. I also knew that was cliche. I didn't care.
I needed help.
Every woman wore a short skirt and tons of makeup. They all wanted the same thing: to fuck you. Every time I read that, I rolled my eyes and shook my head.
I bet you either didn't know that or wouldn't believe it.
Many times I tried to tell you
Many times I cried alone
I don't know about you, but I notice that my expectations have this certain righteousness about them. It's like I mix together in a bowl equal parts of attachment and arrogance, and it's a perfect recipe for a total breakdown in communications.
----
Upaya Dharma talk here.
ME: Man, my wedding ring is itching my finger.
HIM: Chuck it. Throw it in the Berkeley Marina.
Why did I not tell him to go fuck himself? Because I liked the attention. That's why.
Earlier you scream at your baby. Scream. You wish you don’t remember why, but you do: he spills milk all over himself. Deliberately. Smiling at you as he does it. You physically restrain yourself from attacking him, from tearing his beautiful ivory skin with your fingernails. The tears light his eyes like happiness. He won’t remember this. He’ll be fine. Your name won’t be all over his therapy bills. He won’t hate-speak you in high school, college, stoned with some girlfriend or boyfriend a sympathetic shadow at his elbow. Not at all.
Slip inside the eye of your mind
Don't you know you might find