Rene is late. Rene
is always late. Hustling down Ashby Avenue in search of a parking spot,
he almost hits a woman and her little dog. They were walking against
traffic, outside of the crosswalk. That’s his rationale as she screams at him,
flips him the bird. Even the dog seems to take a vindictive shit once it hits
the sidewalk. He turns onto College, can’t find anything until he’s almost at
Alcatraz, meaning he’s a sweaty bastard by the time he walks into the cafĂ©.
This place is too much for him. Hippies, but what does he expect? Old hippies
to boot, but what else do you find in this town? He feels his cell phone tingle.
It’s his father. Pops is 85 and doesn’t feel a day over 100. The man makes
bitching an art form. In other words, he should let it go to voicemail. Instead
he picks up and talks too loudly in line. Old man’s talking about something he
can’t even understand. State Farm something or other. Rene doesn’t give a crap.
The guy used to bite his ass when he was a little kid. Seriously, bite the shit
out of his bum. Rene never figured out why. Got to go, Dad. Got to go.
It’s not like he
read most of the book. His attention span isn’t all that. But he needs people
in this thirsty, consuming way. It takes up his airspace and his heart. Rene is
27 years old and lonely doesn’t begin to cut it. He’s lived in the same studio
down on Deakin for as long as he can remember, or at least since he graduated
from Cal State East Bay and moved up here for kicks. And a job. Both
evaporated. He’s been looking around ever since like a dog abandoned on the
side of the road, waiting.
Sylvie’s reaction
to him is something out of a hybrid between a horror flick and a romance. In
other words, she needs to pee now. The bathroom sucks, but she’s got no
choice and it’s not like she’s so particular anyway. Hell, she can just squat
over the bowl, doesn’t have to touch it. Travel in Asia for a while and you’ll
figure that out. Tonight it’s not horrible though. The worst part is the walls,
red like plasma. That’s what happens when red blood cells have burst,
decomposed. The random knowledge you get from a Cal degree. She takes longer
than she might, touches up the little makeup she wears. It’s an affect, really.
Sylvie – whether or not she realizes it – doesn’t need the artificial sheen.
There are others
too. They can remain nameless. They affect this story – the woman with a hopeful
frown, the man who couldn’t quite contain his nervous belches, though he does
try – but in the sense that the winter winds pattering against the windows
influence what goes on inside one’s home. They are background, not the front
story. They provide context, but don’t allow us to really get down to what
matters.
Sylvie is still in
pain. Pretty bad flareup. It had to happen now. She hasn’t left the house in
two days. That’s a long time for her. Sylvie loves the outside world, needs it,
craves it, even though sometimes she simply can’t handle what it has to offer.
She needs that wind against windows, the background of the unknown and
never-to-be-known, the unfamiliar, the normalcy of strangers. She can’t take
the solitude of the everyday, the way the world wrings you out when it is only you
who populates it.
What would Bethany
do? She would speak to God, or to Buddha, or to the spirit of that dry and
crumbly cookie, asking for the wherewithal to continue sitting here. She would
reach out and pull from within, hands all over this astral plane. She wouldn’t take
this earthbound bullshit. She would demand more and get it.
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