More on the MFA

"The cold economics of the situation, moreover, are conflated with a not-so-subtle implication that poverty equals moral and artistic virtue. "How do we pay for this?" asked a freshman student, at SFAI's beginning-of-term assembly. "Learn to live on almost nothing," was the perfectly straight response, from the director himself. And it is true that practicing thrift and learning to prioritize has made my life infinitely richer and more enjoyable than if I were pulling down $100K a year in a profession that bored me.

"But that was the sum total of practical economic advice or assistance we received from the institution as a whole. Trivial, sordid subjects like marketing, career management, portfolio presentation, accounting, taxes, contracts, negotiation, and intellectual property law were never mentioned; still less did we make any of those useful, much ballyhoo'd "career contacts" that are indispensible in the 24-7 schmooze-a-thon that is the 'art world.' On the contrary--should a professor or another student happen to have a close personal friend who was opening up a new gallery, or know a dealer who'd be interested in a certain person's style of work, that person kept mighty quiet about it."

Now this does ring a bell. If I'd wanted a degree in business tactics, I'd have gotten an MBA. But one class in practical applications of the MFA, including an overview of ways to make money, would've been nice.